There is nothing quite like experiencing live music, and now that we are less than a month away from the Toronto Jazz Festival -June 22/July 1 – we thought we’d share some of our favorite jazz concerts throughout the years. There are literally hundreds of Live Concert Video to choose from online so please feel free to share some of your favorite Shows.
Bill Evans Trio
Recorded at the BBC Studios, London, on March 19th, 1965
Jazz 625 was a BBC jazz music programme, featuring concerts by British and American jazz musicians, which was first broadcast between April 1964 and August 1966.
There is nothing within the Dub world that Lee Perry hasn’t done. He is a true musical visionary. On top of that he is easily one of the most interesting and also bizarre people in musical history. If you don’t believe me watch these bizarre Guinness ads he did a few years ago.
For any Fall fans out there I’ve recently been toying with the idea that Lee Perry and Mark E. Smith are one and the same. Mad geniuses.
If after getting to know Lee Perry a little more you still think of Flavor Flav as a true eccentric and not just some dude who caught on to the brilliance that is Lee “Scratch” Perry than I think you will have a lot of things to worry about in your future because you are a moron. Sorry.
Onto the music. No one is as shocking as Lee Perry. I know in Part 2 I had mentioned that King Tubby never fails to surprise me, this still remains true, but even more so in terms of head spinning confusion and complete bewilderment Lee Perry reigns supreme. He’s done the chilled out Dub for a late summer’s night. He’s also done the most mental, effected dub I’ve heard. For example his track “Dub Plate Pressure” is like Miles Davis circa Dark Magus. That is to say, fantastically bonkers!
I’ve been a fan of Miles Okazaki since the first note of his album Mirror gracefully filled my ear-lobes lifting me to another musical atmosphere. I find that Miles Okazaki’s music – more so than any other contemporary jazz musician – is accepted by almost anyone who hears it no matter their affiliation or taste. I attribute this to the purity of the concepts and focus on aural pleasure. In this piece, Okazaki and his ensemble embrace the inherent joy of listening to music by taking a melodic structure and spinning a remarkably complex and unpredictable web. Here is a teaser for his new album Figurations. This album was released May 8, 2012 and is a live recording featuring an ensemble of improvisational masters including saxophonist Miguel Zenon, bassist Thomas Morgan and drummer Dan Weiss.
In music built heavily on structure — mixed meter, long lines, counterpoint — the trick is to make it flow and sound natural, connected to the body. That’s what this quartet does, and each part of “Figurations” is elegant, precise, dramatic and well played. . . It’s a cerebral but warm record, and each part sounds wholly different from the last. Mr. Okazaki plays here with the saxophonist Miguel Zenón, the bassist Thomas Morgan and the drummer Dan Weiss. They’re equals in the project, inhabiting the music. Watch this band.
There is an argument, albeit a very biased and pop oriented one, that Radiohead has been the most important band of the last 20 years. Whether it be the isolationist dissonance of Kid A or questioning societies myopic leanings in Hail to the Thief, Radiohead as actively pursued the truth through music. By exploring sonic soundscapes within a pop canopy, Radiohead is actively bringing under-appreciated musical influences to the masses, the most important of these genres being jazz. I remember the first time I heard Pyramid Song and how affected I was by the spacing of the notes within the main movement. And who can forget the Drums coming in a second shy of 2 mins. Amazing. Jazz Musicians have been playing Radiohead songs for years, actively reworking and assimilating them into other compositions. So here are our top 3 RadioHead Covers.
1 //Robert Glasper Trio // Maiden Voyage/ Everything in its right place // Bridgestone Music Festival `09